Jazz

In February of last year, I introduced you to the trumpeter Rachel Terrien and her album “Mi Hogar.” This time, we find the trumpeter on the album of singer Will Clements, a hipster album with a very urban vibe. Will Clements, known for his distinct style, offers us a very pleasant album, as gentle as a sunny autumn afternoon.
We particularly appreciate the joyful, poetic, and subtly rhythmic melodies. The album’s stories share a common theme of loss and discovery over a decade of maturing into adulthood. Clements was mentored in the songwriting process by the Juno Awards-nominated bassist Jodi Proznick. His original compositions, which make up the majority of the album, encompass a wide range of emotions and surprises while remaining firmly rooted in mainstream vocal jazz.
Surrounded by brilliant artists, Will Clements leads the way with his vocals. Allison Au plays the alto saxophone on track 2, Rachel Therrien handles the trumpet and flugelhorn on track 4, Alvin Brendan plays guitar, Atley King is on vibraphone for track 6, Miles Black handles the piano and keyboards, Jodi Proznick plays bass, and Todd Stewart is on drums. There is a clever balance between vocal and instrumental parts that allows us to appreciate the diverse talents assembled here. They are not trying to imitate anyone else, and we are carried away by the melodies throughout this album.
Nothing is done to impress; everything is perfectly digestible. It’s the art of beautiful simplicity that appeals to us on the surface. One surprising highlight is the cover of Amy Winehouse’s “Back to Black,” presented in a version that surpasses the original and has been completely rearranged to fit Will Clements’ personality. It’s a successful gamble.
If you’re looking for an enjoyable musical moment, then follow this recommendation from the editors of Bayou Blue Radio and Paris-Move.

Thierry De Clemensat
USA correspondent – Paris-Move
Editor in chief Bayou Blue Radio, Bayou Blue News

PARIS-MOVE, September 4th 2023

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