From the very first track of this album, Sachal Vasandani sets the tone for his musical universe—an intricate fusion of jazz and world music, infused with African tonalities that extend even into the choral arrangements. In certain moments, Sachal may evoke echoes of Paul Simon, yet his approach remains distinctly contemporary—a refined, urban jazz sound, elevated by impeccable production. With Best Life Now, Nate Smith makes his debut as a producer, adding yet another string to his bow. Already critically acclaimed for his viral drum performances and collaborations with The Fearless Flyers (of Vulfpeck fame), Brittany Howard, and Emily King, among others, Smith brings his rhythmic finesse to an album that is as sophisticated as it is soul-stirring. Here, Sachal is joined not only by Nate but also by distinguished guest vocalists Gretchen Parlato and Shayna Steele, alongside a stellar ensemble featuring Dayna Stephens (saxophone, EWI), Jon Cowherd (piano/keyboards), Charles Altura (guitar), and Brian Cockerham (bass). And truth be told, the result is nothing short of a delight from start to finish.
One is enveloped by a profound sense of well-being throughout this album, where musical arrangements shimmer with sheer brilliance, and vocal interpretations—whether by Sachal himself or his illustrious guests—are nothing less than mesmerizing. If, like us, you appreciate an artist such as Michael Mayo, you will likely find yourself equally captivated by Sachal Vasandani’s artistry. Their musical domains are not identical, yet they share an intricate approach to vocal and rhythmic craftsmanship. While Mayo delves into deeply intricate jazz structures, Vasandani’s aesthetic is steeped in an urban jazz sensibility, underscored by rhythmic interplay that attests to its dynamism. In both cases, however, we are in the presence of masterful artists who demand—and deserve—our fullest attention.
This album also reveals a vocalist of remarkable sensitivity. One might assume that expressing emotion through love songs is a simple feat, yet quite the contrary—here, the lyrics are exquisitely crafted, poetic, and profoundly intelligent, lending further allure to the record. Deeply rooted in jazz while boldly transcending its traditional contours, Best Life Now cements Sachal’s stature as a defining voice of the New York music scene. He possesses the charisma to lead his thirteen-piece big band on the most hallowed stages, including Jazz at Lincoln Center. Through soul-infused grooves, Sachal lays bare his vulnerabilities, rendering his romantic tribulations achingly relatable. Under the production of funk drummer Nate Smith, infectious rhythms and irresistible melodies intertwine seamlessly, lifting Sachal’s hypnotic voice to new heights.
It is always a joy to have albums of such caliber in our hands—records that, beyond their immediate musical appeal, affirm the enduring vibrancy of jazz. In both the United States and Canada, the genre has witnessed a renaissance in its vocal expressions over the past few years. Across eleven tracks, this album delivers a set perfectly primed for live performance—one that will dazzle audiences not through ostentatious spectacle but through the sheer sincerity and dedication of artists who pour their souls into creation. Their relentless pursuit of excellence brings them ever closer to perfection—so much so that one wonders why the album cover appears so oddly out of place for a work that deserves an aesthetic as carefully curated as its sound. But then again, no one can excel in all things, and the sheer brilliance of this record is more than sufficient compensation. Regardless, Best Life Now stands as yet another essential addition to the pantheon of vocal jazz masterpieces.
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, January 30th 2025
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