| Jazz |
Typically, I am wary of Brazilian music albums that are not crafted by Brazilian artists. Yet, at the mere mention of this remarkable composer and arranger, I could not resist listening to the album. I must confess, the surprise was profound. The music shines with radiant beauty, and from the very first track, the pianist-composer imprints her signature with grace and finesse. The arrangements are exquisitely executed—not mere imitations of Brazilian styles, but deeply informed and original creations. The artist’s classical training becomes evident by the second track, Pa Dizer Adeus, where the singer’s voice rests delicately atop a cushion of feathers, enhancing the enchanting magic that permeates the album from start to finish.
If you are unfamiliar with Renee Rosnes, here is an excerpt from her biography that will provide insight into her universe:
“Renee Rosnes’ already distinguished career continues to reach new heights, marked by fresh compositions, exciting collaborations, and an ever-evolving musicality. Her latest album, Crossing Paths, elegantly revisits iconic Brazilian songs. Renee is joined by two of Brazil’s greatest artists and composers, Edu Lobo and Joyce Moreno, alongside American and Brazilian stars such as Maucha Adnet, Chris Potter, Steve Davis, Chico Pinheiro, John Patitucci, Adam Cruz, and Rogério Boccato. Since relocating to New York from Vancouver, Canada, in 1985, Renee has swiftly built a prestigious reputation, touring and recording with luminaries like Joe Henderson, Wayne Shorter, Bobby Hutcherson, J.J. Johnson, Buster Williams, and James Moody. She has been the pianist for the Carnegie Hall Jazz Orchestra and a founding member of the all-star SFJAZZ Collective, with whom she toured and recorded for six years.”
This album will appeal equally to fans of jazz, Brazilian music, or even classical music. One must dive deep to fully experience the profound beauty of this work, which, while appearing simple on the surface, reveals an astonishing richness to the discerning listener. Brazilian music draws inspiration not only from its folkloric roots but from a myriad of other musical styles. Each arrangement in this album illuminates its themes, with every note seeming to spring forth, leading to another instrument, a story, or a thought-provoking question.
The choice of collaborators on this album extends Renee Rosnes’ artistic vision. On certain tracks, one might even draw comparisons to the writing style of Erik Satie, particularly in the handling of silences that create space for voices. This is especially striking on the track Essa Mulher, where nothing is left to chance. Many listens have allowed me to immerse myself fully in this work, absorbing every nuance. It is hard to imagine this album not culminating in a live performance, where one can already envision a packed hall, with a deeply moved audience shedding tears. This is precisely what such a fantastic album deserves.
I found it difficult to set aside this album long enough to write this review. So, I played it softly in the background, letting it inspire me, for this album is profoundly inspiring. As an ardent lover of art, I see this album as one of its most intense and respectful branches, earning it a place among our “Essentials.”
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, December 29th 2024
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