| Jazz |
Monk & More – a 2026 release by Danish bassist and bandleader Richard Andersson, recorded with clarinettist Rudi Mahall, pianist Artur Tuznik and drummer Kasper Tom. Rather than a mere tribute to jazz tradition, this album — recorded at Hobby Horse Studios in Copenhagen — is a playful, intelligent dialogue between past and present.
With Monk & More, Richard Andersson presents a refreshing take on some of jazz’s most iconic compositions, channelled through the creative lens of contemporary European improvisers.
As the title suggests, the repertoire centres on music associated with Thelonious Monk, alongside works by Lennie Tristano, Ornette Coleman, Lee Konitz and Jimmy Giuffre. These selections are not treated reverentially or played straight; instead, Andersson’s quartet approaches them with curiosity, wit and risk-taking, embracing both the structural quirks of the originals and the spirit of open improvisation.
The album opens with this energetic “317 East 32nd Street” Lennie Tristano composition. It sets the tone for the record — playful yet sharp-edged — and immediately showcases how the quartet listens deeply to one another. Mahall’s clarinet injects an expressive, almost conversational quality that contrasts brilliantly with the rhythmic drive of Tom’s drums and Andersson’s sturdy bass foundation.
The band’s version of Monk’s “Brilliant Corners” opens with familiar melodic markers but quickly diverges into unexpected rhythmic contours and harmonic twists, giving the tune a fresh perspective. Elsewhere, interpretations of “Subconscious-Lee” and “Trinkle Tinkle” showcase the ensemble’s ability to balance structured composition with spontaneous invention, weaving intricate conversations between instruments.
“The Blessing” offers a more reflective contrast. Built around contemplative lines and space, it allows Andersson’s deep tone and articulate phrasing to anchor the performance. The rhythm section creates a spacious backdrop that feels almost like a conversation in slow motion — thoughtful and unhurried.
Rudi Mahall’s bass clarinet brings a distinctive sonic edge, its rich low register and agile phrasing offering a new texture to tunes often dominated by piano or saxophone lines. Artur Tuznik’s piano provides harmonic clarity and impetus — his touch ranges from lyrical to angular, adeptly responding to both Monk’s original language and the quartet’s explorations. Kasper Tom’s drumming is flexible and expressive, anchoring the group with a sense of form while also driving the music into surprising rhythmic turns.
At the core, Andersson’s double bass underpins the session with a deep, resonant tone that shapes the ensemble’s collective voice, prompting interplay that feels as conversational as it does adventurous.
Closing the album, “Pannonica”’, a Monk ballad, becomes a moment of lyrical beauty and reflection. The quartet’s take is graceful and warm; melodic lines seem to hang in the air, accentuated by subtle harmonic shifts. It’s an elegiac, thoughtfully crafted finale that underlines the ensemble’s strengths — mutual listening, emotional depth, and a deep rapport with the material.
Rather than aiming for reverential homage, Monk & More breathes new life into familiar material, making it feel both rooted in jazz history and unmistakably of the moment. The performances radiate a fresh energy — sharp-edged, swinging, playful and deeply engaging — revealing layers of interaction rewarded by repeated listening.
The album’s flow keeps one foot in tradition and the other stepping confidently into contemporary improvisational discourse, offering a bridge between American jazz heritage and modern European sensibilities.
Monk & More stands out as a vibrant and thoughtful project, showcasing Richard Andersson not just as a superb bassist but as a curator of jazz conversation — respectful of the tradition’s roots yet unafraid to stretch its boundaries. For listeners seeking fresh perspectives on a classic repertoire delivered with sophistication and spontaneity, this album is a compelling and deeply rewarding listen.
Frankie Pfeiffer
Editor in chief – PARIS-MOVE
PARIS-MOVE, March 2nd 2026
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Tracklisting:
1. 317 East 32nd Street
2. Brilliant Corners
3. Subconscious-Lee
4. The Blessing
5. Wee See
6. Ask Me Now
7. Four Brothers
8. Trinkle Tinkle
9. Pannonica
Musicians:
Richard Andersson – double bass
Rudi Mahall – clarinets
Artur Tuznik – piano
Kasper Tom – drums