| Jazz Funk, Jazz Fusion |
Last year, I was already telling you about this composer and guitarist with the release of his album “Blue House.” Now, here is his new album, which follows the rock direction of the previous one. However, this trend is more pronounced, to the point where it is difficult to associate it with the jazz genre, but rather with blues/rock influences or high-quality progressive rock. What I appreciate about this artist is that he never strays from his primary motivations and always delves into a world that only he seems to master. Indeed, within a single track, you might find yourself moving from a vibe reminiscent of the show “Happy Days” to a Led Zeppelin-like atmosphere. Some introductions might even remind you of the band I often listened to in my younger years, Van Halen. This tells you how much I truly appreciate this album.
Indeed, in the world in which Marc Ciprut evolves, everything has already been done. The difference comes from his unique style and the delicacy of his guitar playing. This is to be expected, you might say, from an artist who has shared the stage with Joss Stone, The Baha Men, Lenny White, and Kenwood Denard. Marc Ciprut’s musical writing is based on a vast contemporary musical culture. The arrangements on this album even sometimes verge on 1970s soul music. Needless to say, we are witnessing a perpetual sonic firework display. As I listened to this album, I even began to dream that Marc Ciprut might invite various vocalists who are completely at odds with his music on his next album, which would have an absolutely grandiose effect. But as it stands, this album is excellent news, marking a great evolution compared to the previous album, which was just as remarkable.
It is likely that few jazz specialists will talk about this album, as it might be considered too rock-oriented. Indeed, but musically, it is treated with the same delicacy and precision as a jazz album. This might not appeal to rock fans who prefer rougher albums, but it doesn’t matter. We sometimes like to venture beyond our preferred territory, and in this case, there are no regrets because the pleasure we derive from it is as great as when we talk about albums that lean more towards classical music. The most important thing is the quality of the compositions, the arrangements, and the performers. We also appreciate the order of the tracks on this album, which gently draws us into Marc Ciprut’s universe. It’s a pleasant surprise — which is a very good thing — to find this album too short, leading us to play it over and over again. And we are not the only ones enjoying this album:
On Saccato: When it comes to fusion, few artists can blend the blues with the many shades of fusion as compellingly as Marc Ciprut. With his latest release, *Moonshine*, Ciprut presents a cohesive and electrifying sonic experience. As a guitarist, composer, and producer, he creates a unique jazz, blues, and funk sound into a coherent, electrifying sonic experience of tasteful fusion.
It is quite likely that reviews will keep coming for this album, as it stands out amidst everything we receive. So, let’s be generous with Marc Ciprut, who once again delivers a flawless performance, bringing us real listening pleasure that has earned him a place in our “Essentials.”
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, August 22nd 2024
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This album is available on all download platforms.