| Jazz |
To forewarn is to forearm: this album is a pure marvel but certainly not one for everyone. It’s fascinating to compare the “Pop-Art” style of its cover with its ultra-contemporary content, which is bound to leave purists standing at the door. Yet, to truly appreciate it, one must delve into the story of the group behind it:
For the past two decades, my musical identity has been shaped by my quartet. It was conceived alongside my husband, Tony Jones, and began life as Rhythm Crush before evolving into the Jessica Jones Quartet. Both Tony and I compose for the group. Over the years, the lineup has shifted, yet we’ve always had the privilege of collaborating with immensely creative and talented musicians. At its core, the group is a piano-less quartet featuring two tenor saxophones—Tony’s and mine—supported by a double bass and drums. We often enrich this ensemble with additional instruments, voices, or special guests. Occasionally, I even take to the piano, something that would surely make Mrs. Runkle proud.
It takes an extraordinary level of musical maturity to achieve such liberation in one’s sound. Here, we’re dealing with improvised music that gradually captivates, thanks to the intricate frameworks upon which these creations are built. The Jessica Jones Quartet is an improvisational jazz ensemble performing original and experimental music. While rooted in the jazz tradition, their work employs structured compositions as a springboard for freer improvisations. This freedom yields a distinctive effect, enabling the quartet to convey their interpretive lens to an audience—a rare and remarkable feat in this genre, requiring musicians of unparalleled caliber.
The interplay of two tenor saxophones, a double bass, and drums crafts a bold and enthralling sonic landscape. Collaborating with avant-garde drummers and bassists has pushed their explorations to unprecedented heights, resulting in a sound that is uniquely theirs. The compositions of Jessica Jones and her husband, tenor saxophonist Tony Jones, come to life through the innovative rhythm section of drummer Kenny Wollesen and bassist Stomu Takeishi.
As the album unfolds, it gradually sets a stage, demanding from its audience the same effort as a theater performance: engage your mind, take a deep breath, and let yourself be carried away. Only then will you understand what I’m describing. Beyond the search for innovation lies a set of remarkable performers who imbue the sound of their instruments with profound meaning. This transforms them into compelling actors of their own universe, attuned to one another.
Such works, which I often call “music to be lived,” are rare treasures. Remarkably, this album offers equal pleasure whether experienced live or on CD. If the entry point feels daunting, begin with the track Higher Than, whose accessible structure serves as a gentle introduction for all listeners.
In a format reminiscent of an EP, with only six tracks, you’ll find six distinct stories or adventures, each unique. The year 2025 brings many delightful surprises, and this album is unquestionably one of them—deserving of a place among our “Essential Albums” series.
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, January 4th 2025
Follow PARIS-MOVE on X
::::::::::::::::::::::