Jazz |

From the very first notes of this album, one might be tempted to think it’s a jest, for this record is the antithesis of Small Things. Beyond the exceptional guitarist—whose talents were hitherto unknown to me—the mere presence of Troy Roberts illuminates compositions that already shine as exquisite musical works. Naturally, this is urban jazz of a complex nature, demanding, as is often the case with such creations, a broad cultural awareness to fully appreciate its depth.
Particularly striking is the fact that these are original compositions, in which the guitarist has evidently afforded his guests remarkable freedom. His sound, at once vibrant and almost rock-like at times while remaining undeniably jazz, imbues the album with a potent energy that serves his compositions beautifully. Moreover, there is an undeniable delicacy in his interpretations and arrangements, a testament to his artistry.
Potter’s journey began with the guitar at the tender age of 10, guided by his father, who himself had been introduced to music by his mother, Joyce Paul—a Nashville country singer who once opened for Elvis Presley and shared stages with luminaries such as Tony Bennett and Pat Boone. By the age of 21, Potter had already earned acclaim, winning several guitar competitions across the Midwest. Such is the intricate tapestry of an artist’s life, woven from threads of familial legacy, fortuitous encounters, and personal determination. What is certain, however, is that Jackson Potter stands as a thoroughly modern artist of the 21st century, adeptly using tradition as a respectful nod to the past while crafting a forward-thinking vision with remarkable intelligence.
Since relocating to New York in 2021, Potter has graced both local and international stages, including the Lincoln Center, the New World Symphony Center in Miami, and Bangkok’s luxurious Coba restaurant. Additionally, he has performed alongside illustrious musicians such as Jaleel Shaw, Troy Roberts, Richie Nuzz, April Varner, Jim Cammack, Konrad Paszkudzki, among others. Maintaining a rigorous schedule, Potter performs five nights a week in New York, both as a bandleader and a sideman across genres ranging from jazz to pop.
The choice of artists featured on this album is undoubtedly inspired. A genuine camaraderie seems to permeate these sessions, and it is a pleasure to focus on the contributions of each participant. It’s regrettable that so few reviews of this album exist, for such works deserve to be discovered and celebrated. They expand our horizons much like travel, offering new musical landscapes to explore. Such opportunities should not be overlooked but rather embraced with open arms. Art of this caliber, as exemplified here, demands nothing less.
At the very least, I’ve discovered a fascinating guitarist—an achievement in its own right. Last year, I raved about Troy Roberts’ Green Lights, and you can still read that review here.
I am equally enthusiastic about this album by Jackson Potter. It comes as no surprise that such compelling artists would align themselves with a project of this nature, which, without hesitation, we classify as one of our “Essential Albums.”
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, January 26th 2025
Follow PARIS-MOVE on X
::::::::::::::::::::::