| Flamenco |
These two artists are renowned for their masterful reinvention of flamenco, boldly delving into the universe of Paco de Lucía with a skilled and fearless touch. Their approach here is both raw and authentic, a quest to return to the very roots of flamenco. While retaining a jazz-inflected sensibility, their collaboration challenges the listener, pushing boundaries and redefining expectations. If you’re unfamiliar with flamenco, think of it as a kind of Spanish blues, deeply rooted in centuries-old traditions with its own distinct rules and values.
Paco de Lucía was not merely the central figure of flamenco; his influence transcended genres, leaving an indelible mark on the global music landscape. In 2024, ten years after the untimely passing of this Maestro, paying tribute to him is not just a celebration of his enduring contributions but also an opportunity to introduce his genius to a new generation, ensuring his legacy continues to inspire musicians and enthusiasts worldwide.
This project casts a fresh and profound gaze upon the works of Paco de Lucía, presenting them in a manner that could be described as a reinterpretation. It is both a homage to his artistry and a testament to his unparalleled ability to fuse styles, creating a unique musical language. This tribute honors not only Paco de Lucía’s unmatched technique but also the spirit of innovation that defined him, blending tradition and modernity, transcending both musical and generational boundaries.
Musical genres like flamenco often face challenges in modernization. While many attempt it with varying degrees of success, the current master of such innovation is arguably Juan Carmona, who, much like Keb’ Mo’ in the realm of blues, crafts original works that evolve into celebrated performances worldwide.
In this context, pianist and vocalist Diego Amador joins forces with flamenco guitarist José María Bandera to present something deeply rooted in tradition yet equally capable of unsettling both purists and modernists. To appreciate their offering, one must set aside preconceived notions of Paco de Lucía’s work and immerse themselves in this bold new vision. José María Bandera, an Andalusian and Paco de Lucía’s nephew, blends his undeniable familial heritage with his own virtuosity as a flamenco guitarist, mastering harmonies and melodies. With Paqueando, he has seized the chance to pay profound and innovative homage to the Maestro’s legacy, avoiding mere imitation.
Diego Amador, a multi-instrumentalist and 2008 Latin Grammy nominee for Best Flamenco Album (Río de los Canasteros), is a trailblazer in his own right. Dubbed “El Ray Charles Gitano” and “Mozart Gitano” by the national and international press, Amador has redefined the role of the piano in flamenco and revolutionized the way the instrument is played. His passionate, powerful voice is another cornerstone of this homage. Amador’s approach to piano, voice, and flamenco has captivated Bandera, who sees in him not only a virtuoso pianist but one who channels the spirit of flamenco guitar through his keys.
This collaboration is a labor of love and passion, an offering that will appeal to those well-versed in both jazz and flamenco, commanding respect for the extraordinary level of mastery required by this art form of southern Europe. A truly remarkable album, effortlessly claiming its place among the ranks of our “Essential” recordings.
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, November 27th 2024
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