In Europe, there remained a form of culture capable of evolving, and Olivier de Cayron stands as one of the continent’s greatest artists. Achieving significant success as an abstract painter, he masterfully reinvented himself, embracing modern technologies to forge a unique art form blending sculpture, painting, and photography. Alongside his artistic career, in 1986, he founded Art-Scenes, a journal supported by the Centre Pompidou in Paris—a publication I had the honor of contributing to.
Over the years, Olivier began integrating texts and photographs into his works, visibly striving for a medium to articulate his vision of the many journeys he undertook across the globe. Time refined his oeuvre as he increasingly embraced new technologies, gradually shifting to work with his own photography. This allowed him to directly imprint his choices and perspective onto his art, bypassing peripheral mediums. It was at this juncture that micro-perforated prints swiftly became the standard for his creations, offering a relief born entirely of his artistic intent.
A true plasticien at heart and celebrated as one of Paris’s foremost colorists, Olivier de Cayron translates his impressions of travel—even from the most shadowy of cities—into a radiant vision. One of his earliest works, a metallic bridge in Chicago, displayed at the North Houston Art Gallery, takes on a poetic and transcendent form. In its vibrant hues, one might almost hear the strains of a blues band playing in a nearby bar.
As his travels multiplied, so did his images and artworks, each more luminous and intricate than the last. Another piece exhibited at the North Houston Art Gallery recounts a journey to Cuba, depicting a futuristic scene where a vintage American car hovers in mid-air. Here again, color sets the tone, perfectly capturing both the profound poverty of Cuba and the enduring note of hope for a better world.
In an era of relentless channel-hopping and fleeting attention spans, Olivier de Cayron adopts a direct and arresting visual language. To pause before his works is to return to poetry and to art as an essential pillar of intellectual culture. In the 2000s, Olivier founded the Parisian movement Transfiguring, uniting artists who center their work on photography—a natural evolution for this charismatic and profoundly humanistic creator. With an intimate understanding of humanity, he wields a diverse array of techniques as his language, a language honed since his days as an abstract painter. His meticulous attention to detail ensures that nothing he creates is incidental; each work is a thoughtful gesture, resonating with the spirit of the times and restoring meaning where it has been lost.
Frequently invited onto television programs dedicated to art and featured in specialist magazines, Olivier de Cayron is undeniably one of the most significant artists of this century. His ability to capture the essence of the world around him and express it through an art form that speaks to all generations and cultures cements his place as a timeless visionary.
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
Former contributor to Art/Scenes magazine (France)
PARIS-MOVE, November 28th 2024
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