| Jazz |
What I love about this album is its deliciously rich atmosphere, reminiscent of the 1950s film noir era—a well-chosen creative direction for the debut album of this bassist, who is joined by an excellent lineup of musicians: Ilya Osachuk on double bass, Tyler Henderson on piano (tracks 1, 2, 5, 8, 9), Donald Vega on piano (tracks 4, 6, 7), Kai Craig on drums (tracks 1, 2, 5, 8, 9), and Billy Drummond on drums (tracks 4, 6, 7). While this album may seem to rest within the bounds of classic jazz in form, it strays from convention in its deeply rhythmic undercurrents, where the bass line takes a central role. Although this is Osachuk’s first release, it is an undeniable triumph for the young musician, who shines as a performer, composer, arranger, and producer. He has crafted an album deeply rooted in jazz tradition while expressing a voice uniquely his own.
As a composer, Osachuk draws inspiration from a rich tapestry of influences. He explores his Ukrainian heritage in *Lviv Perspective*, his personal growth and introspection in *February* and *The Answer*, and his philosophy of life in *Waltz for J*. His arrangements honor the legacy of his early musical influences, such as Thelonious Monk, John Coltrane, and Ray Brown, adding depth and variety to the album.
This joyful cultural fusion undoubtedly inspired the unique style that allows listeners to drift through its tracks into worlds that are both vibrant and comforting. Uniquely, the album is split between two trios: one featuring Tyler Henderson on piano and Kai Craig on drums (tracks 1, 2, 5, 8, and 9), and the other with Donald Vega on piano and Billy Drummond on drums (tracks 4, 6, and 7). Across the album, these trios play with a raw spontaneity, striving to carry on jazz’s tradition while forging a distinctive path within it. Both groups elevate Osachuk’s qualities and together achieve a synergy that goes beyond the sum of their parts. The result is marvelous; Osachuk’s bass sound is strikingly unique in timbre—whether due to his instrument or the recording technique, the effect is remarkable.
As is often the case, I began listening to this album without knowing anything about the musicians involved. It wasn’t until I read the liner notes that I realized it was a debut—a flawless one at that, which sets the bar exceptionally high for the next project. Yet, it’s clear that this bassist is not one to be daunted by such a challenge. With his unique blend of classic jazz forms, a fine dose of humor, and intricate arrangements, Ilya Osachuk has already carved out his space in the jazz world. I can only hope you enjoy listening to this album as much as I did, for I place it, without hesitation, among my “Essentials.”
Thierry De Clemensat
USA correspondent – Paris-Move and ABS magazine
Editor in chief Bayou Blue Radio, Bayou Blue News
PARIS-MOVE, October 26th 2024
Follow PARIS-MOVE on X
::::::::::::::::::::::